Nick Cotter // Wired, tired, and tedious to know.
I shall have to keep an eye on this.
Government requests directed to Google and YouTube
Like other technology and communications companies, we regularly receive requests from government agencies around the world to remove content from our services, or provide information about users of our services and products. The map shows the number of requests that we received between July 1, 2009 and December 31, 2009, with certain limitations.
We know these numbers are imperfect and may not provide a complete picture of these government requests. For example, a single request may ask for the removal of more than one URL or for the disclosure of information for multiple users. See the FAQ for more information.
We’re new at this, and we’re still learning the best way to collect and present this information. We’ll continue to improve this tool and fine-tune the types of data we display.
©2010 Google - Privacy Policy - Terms of Service
The UK is there with 59 removal requests for the last 6 months of 2009. But Germany has 188, and Brazil 291 at the top of the charts.
Brazil also leads the data requests, even more than the US. What's with Brazil?
EC1010 Our general presumption is to encourage the Green value of greater sharing and to make it more difficult to obtain patents and similar forms of protection than at present. Specific policies are below.
EC1011 On cultural products (literature, music, film, paintings etc), our general policy is to expand the area of cultural activity, that is ways that culture can be consumed, produced, and shared, reduce the role of the market and encourage smaller and more local cultural enterprise (see CMS200 onwards). Specifically we will
- introduce a Citizen’s Income (see EC730), which will allow many more people to participate in cultural creation;
- introduce generally shorter copyright terms, with a usual maximum of 14 years;
- legalise peer to peer copying where it is not done as a business;
- liberalise ‘fair use’ policies to operate outside the academic environment, and allow greater development from existing copyright material; and
- make it impossible to patent broad software and cultural ideas.

An excellent review of Stephen Graham's "Cities Under Siege":
'Graham outlines a number of dystopian scenarios here, including one in which "swarms of tiny, armed drones, equipped with advanced sensors and communicating with each other, will thus be deployed to loiter permanently above the streets, deserts, and highways" of cities around the world, moving us toward a future where "militarized techniques of tracking and targeting must permanently colonize the city landscape and the spaces of everyday life." '